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  • Stokes, Simon, 1963-
     
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  • Copyright -- Art -- Great Britain.
     
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  • Internet -- Law and legislation -- Great Britain.
     
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  •  Art and copyright [e...
     
     
     
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    Art and copyright [electronic resource] / Simon Stokes.
    by Stokes, Simon, 1963-
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    Oxford ; Portland, Or. : Hart Pub., 2012.
    Subjects
  • Copyright -- Art -- Great Britain.
  •  
  • Internet -- Law and legislation -- Great Britain.
  • Electronic Resourcehttp://hawaii.lib.overdrive.com/ContentDetails.htm?ID=26C93D4B-E172-4CD5-971C-F38A79CBCD66 This title is available online; click here to access
    Electronic Resourcehttp://images.contentreserve.com/ImageType-100/1889-1/{26C93D4B-E172-4CD5-971C-F38A79CBCD66}Img100.jpg
    ISBN: 
    9781847318954 (electronic bk.)
    1847318959 (electronic bk.)
    Description: 
    1 online resource (xliv, 261 pages)
    Edition: 
    2nd ed.
    Contents: 
    1 Introduction -- 2 The Copyright System : justification and History -- 3. The Modern Law of Copyright -- 4. Moral Rights and Droit de Suite -- 5. Art and the Internet : Copyright, Related Rights and Digitisation -- 6. Some Current Issues -- 7. Some Practical Issues and Precedents -- 8. Art and Intellectual Property Rights other than Copyright -- 9. Conclusion.
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    Summary: 
    In recent years the intellectual property protection afforded to works of art has received increased attention from artists, museums, galleries, auction houses, publishers and their professional staff and legal advisers, as well as from those teaching or studying copyright and/or the law of cultural property. This was the first text to examine in detail the intellectual property rights protecting artistic works and artists' rights generally in the United Kingdom. First published in 2001, 'Art and Copyright' has established itself as a leading text in the field. Now revised and updated, the second edition includes expanded coverage of Artist's Resale Right and the relationship between designs law and artistic works, as well as greater coverage of new media and art, and digital developments generally. It also includes additional precedent materials and checklists. It remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners and all those interested in how the law protects artistic works.
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