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Item Information       Summary     More Content     More by this author     Moffitt, John F. (John Francis), 1940-     Subjects     Christian art and symbolism.     Christianity and art.     Perspective.     Browse Catalog     by author:      Moffitt, John F. (John Francis), 1940-       by title:      Painterly perspectiv...         MARC Display

Painterly perspective and piety [electronic resource] : religious uses of the vanishing point, from the 15th to the 18th century / John F. Moffitt. by Moffitt, John F. (John Francis), 1940- Jefferson : McFarland & Company, Inc., Publishers, 2008. Subjects Christian art and symbolism.   Christianity and art.   Perspective. Electronic Resource http://hawaii.lib.overdrive.com/ContentDetails.htm?ID=BDC1D94D-6917-43AD-A522-E949A12A320D This title is available online; click here to access Electronic Resource http://images.contentreserve.com/ImageType-100/3167-1/{BDC1D94D-6917-43AD-A522-E949A12A320D}Img100.jpg ISBN:  9780786452262 (electronic bk.) 0786452269 (electronic bk.) Description:  1 online resource (321 pages) Requests:  0 Summary:  While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object...   Copy/Holding information No Item Information

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