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  • Perry, Gillian.
     
     Subjects
     
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  • Home in art.
     
  •  
  • Dwellings in art.
     
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  • Art, Modern -- 20th century -- History and criticism.
     
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  • Art, Modern -- 21st century -- History and criticism.
     
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  •  Playing at home [ele...
     
     
     
     MARC Display
    Playing at home [electronic resource] : the house in contemporary art / Gill Perry.
    by Perry, Gillian.
    View full image
    London : Reaktion Books, 2013.
    Subjects
  • Home in art.
  •  
  • Dwellings in art.
  •  
  • Art, Modern -- 20th century -- History and criticism.
  •  
  • Art, Modern -- 21st century -- History and criticism.
  • Electronic Resourcehttp://hawaii.lib.overdrive.com/ContentDetails.htm?ID=526F9CD4-9594-4BE8-9E4D-58E2809CDB33 This title is available online; click here to access
    Electronic Resourcehttps://samples.overdrive.com/playing-at-home?.epub-sample.overdrive.com
    Electronic Resourcehttp://images.contentreserve.com/ImageType-100/1777-1/{526F9CD4-9594-4BE8-9E4D-58E2809CDB33}Img100.jpg
    ISBN: 
    9781780232294 (electronic bk.)
    1780232292 (electronic bk.)
    Series: 
    Art since the '80s.
    Description: 
    1 online resource (265 pages).
    Contents: 
    Cover; Playing at Home: The House in Contemporary Art; Imprint Page; Contents; Introduction; 1. Family Traces; 2. Scaled Down; 3. Broken Homes; 4. Beach Houses; 5. Haunted Houses; 6. Green Houses; 7. Mobile Homes; Conclusion: Our House?; References; Select Bibliography; Acknowledgements; Photo Acknowledgements; Index.
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    Summary: 
    Art Since the '80s, a new series from Reaktion Books, seeks to offer compelling surveys of popular themes in contemporary art. In the first book in the series, Gill Perry reveals how the house and the idea of home have inspired a range of imaginative and playful works by artists across the globe. Exploring how artists have engaged with this theme in different contexts-from mobile homes and beach houses to haunted houses and broken homes-Playing at Home shows that our relationship with houses involves complex responses in which gender, race, class, and status overlap, and that through these re.
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