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  • Smith, Dominic, 1971-
     
     Subjects
     
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  • Baalbergen, Sarah van, 1607- approximately 1638 -- Fiction.
     
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  • Women artists -- Netherlands -- Fiction.
     
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  • Painting, Dutch -- 17th century -- Fiction.
     
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  • Art -- Forgeries -- Fiction.
     
  •  
  • Art historians -- Fiction.
     
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  •  The last painting of...
     
     
     
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    The last painting of Sara de Vos [electronic resource] / Dominic Smith.
    by Smith, Dominic, 1971-
    View full image
    [Place of publication not identified] : Farrar, Straus and Giroux, 2016.
    Subjects
  • Baalbergen, Sarah van, 1607- approximately 1638 -- Fiction.
  •  
  • Women artists -- Netherlands -- Fiction.
  •  
  • Painting, Dutch -- 17th century -- Fiction.
  •  
  • Art -- Forgeries -- Fiction.
  •  
  • Art historians -- Fiction.
  • Electronic Resourcehttp://hawaii.lib.overdrive.com/ContentDetails.htm?ID=9B0602B7-964B-43EA-B8E4-A6C6E014B8AE This title is available online; click here to access
    Electronic Resourcehttp://samples.overdrive.com/?crid=14a733aa-2616-4666-a588-eb11d7491d39&.epub-sample.overdrive.com
    Electronic Resourcehttp://images.contentreserve.com/ImageType-100/1882-1/{14A733AA-2616-4666-A588-EB11D7491D39}Img100.jpg
    ISBN: 
    9780374714048 (electronic bk.)
    0374714045 (electronic bk.)
    Description: 
    1 online resource.
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    Summary: 
    "In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present."--
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