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  • Art, Chinese -- 20th century -- Themes, motives -- Exhibitions.
     
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  • Art, Chinese -- 21st century -- Themes, motives -- Exhibitions.
     
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  • Ink painting, Chinese -- Influence -- Exhibitions.
     
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  • Eclecticism in art -- Exhibitions.
     
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  •  Ink art : past as pr...
     
     
     
     MARC Display
    Ink art : past as present in contemporary China / Maxwell K. Hearn.
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    New York : The Metropolitan Museum of Art, 2013.
    Subjects
  • Art, Chinese -- 20th century -- Themes, motives -- Exhibitions.
  •  
  • Art, Chinese -- 21st century -- Themes, motives -- Exhibitions.
  •  
  • Ink painting, Chinese -- Influence -- Exhibitions.
  •  
  • Eclecticism in art -- Exhibitions.
  • ISBN: 
    9781588395047 (the metropolitan museum of art)
    1588395049 (the metropolitan museum of art)
    9780300197037 (yale university press)
    0300197039 (yale university press)
    Description: 
    206 pages : illustrations (some color) ; 28 cm
    Contents: 
    Ink art : an introduction / Maxwell K. Hearn -- Transcending the East/West dichotomy : a short history of contemporary Chinese ink painting / Wu Hung -- Past as present in contemporary Chinese art / Maxwell K. Hearn -- The written word -- New landscapes -- Abstraction -- Beyond the brush.
    Requests: 
    1
    Summary: 
    "Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." -- Metropolitan Museum of Art website.
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    Copy/Holding information
    LocationCollectionCall No.Status 
    Hawaii State LibraryArt, Music & Recreation751.4251 InChecked InAdd Copy to MyList
    Thelma Parker Memorial P/S LibraryAdult Nonfiction751.4251 InChecked InAdd Copy to MyList


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