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  • Langford, Jeffrey Alan, author.
     
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  •  A history of the sym...
     
     
     
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    A history of the symphony : the grand genre / Jeffrey Langford.
    by Langford, Jeffrey Alan, author.
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    New York : Routledge, 2020.
    Subjects
  • Symphony.
  • ISBN: 
    9780815357056 (paperback)
    0815357052 (paperback)
    Description: 
    viii, 261 pages : illustrations, music ; 26 cm
    Contents: 
    Origins of the genre: from Pergolesi to early Haydn -- Maturation of the genre: Haydn and Mozart -- From classicism to romanticism -- The romantic generation: tradition vs. the avant-garde -- Musical nationalism: Eastern Europe and Russia -- The late romantic symphony : Mahler and Strauss -- The early 20th century -- Masters of the 20th century : from Ives to Shostakovich -- Contemporary views of the symphony.
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    Summary: 
    "A History of the Symphony: The Grand Genre identifies the underlying cultural factors that have shaped the symphony over the past 300 years, presenting a unified view of the entire history of the genre. The text goes beyond discussions of individual composers and the stylistic evolution of the genre to address what constitutes a symphony within each historical period, describing how such works fit into the lives of composers and audiences of the time, recognizing that they do not exist in a vacuum but rather as the products of numerous external forces spurring their creation. The text proceeds chronologically in three parts, drawing connections between musical examples across regions and eras: the classical symphony, the romantic symphony and the symphony in the modern era. Within this broad chronology--from the earliest Italian symphonies of the 18th century to the most experimental works of the 20th century--discussion of the development of the genre often breaks down along national lines that outline divergent but parallel paths of stylistic growth. In consideration of what is and is not a symphony, musical developments in other genres are presented as they relate to the symphony, genres such as the serenade, the tone poem, and the concert overture."--page i.
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